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Jonita Gandhi is good with her rendition (though not as good as Tirupati) with the able support of Nakash Aziz. And here too, it works as beautifully, highlighted by that frenzied harp-like rhythm and the use of percussion. It is probably owing to the common occurrence of raag Darbari in Hindustani music as well that ‘ Saajan Aayo Re’ (which has shades of the raag) retains its original melody and arrangement. Hard Kaur joins Aaryan Dinesh Kanagaratnam on the rap, while Shashaa, Paroma Dasgupta and Ashima Mahajan lend their voice to the melody. ‘ Kaara Fankaara’, too, retains the craziness from its original, except the lyrics including the rap shift from Tamil to Hindi and English. Like it did in Tamil, the track works for its trippy quality, despite average lyrics and singing. ‘ Mental Manadhil’ from OKK becomes the title track in Hindi, with Srinidhi Venkatesh playing chorus Rahman does away with the female version. Since the traditional sufi piece ‘ Maula Wa Sallim’ was non-Tamil to begin with, Rahman reuses the song as is in OK Jaanu, delivered in his son A.R. Singers Jubin Nautiyal and Shashaa Tirupati deliver competent results. They just retain samples of the original shehnai portions and let the melody take centre-stage.
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Thankfully, the composers don’t add the cacophony that is the norm for remixes these days. I belong to the small minority that enjoyed the remix. The non-Rahman-Gulzar part of OK Jaanu’s soundtrack comes in the form of Badshah (Aditya Prateek Singh Sisodia) and Tanishk Bagchi’s recreation of Rahman’s ‘ Humma Humma’. For most part, though, Ali has succumbed to the current multi-composer/remix trend in Bollywood. This time, too, it’s for the remake of a Mani Ratnam movie: the 2015 hit O Kaadhal Kanmani (OKK), which featured the musical combination of Rahman-Gulzar. Rahman and Gulzar for his upcoming film, OK Jaanu.
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After three movies featuring music by Shankar-Ehsaan-Loy and lyrics by Gulzar, Shaad Ali has come full circle, enlisting A.R.